Dior – Traphouse Mob
Huh, roll another one, ahaha
Said I’m never lackin’, always pistol packin’ (this is a Melo beat)
With them automatics, we gon’ send him to Heaven (huh)
Wait, wait, wait, wait, ayy, ayy, woo (aw, sh-), huh
Oh, you feelin’ sturdy, huh? (You feelin’ sturdy, man)
Shake some, huh, shake it, huh, shake it, huh, shake it, huh
She like the way that I dance, she like the way that I move
She like the way that I rock, she like the way that I woo
And she let it clap for a n- (she let it clap for a n-)
And she throw it back for a n- (yeah, she throw it back for a n-)
Mike Amiri, Mike Amiri, Billie Jean, Billie Jean, uh
Christian Dior, Dior, I’m up in all the stores
When it rains, it pours, she like the way I rrr
Mike Amiri, Mike Amiri, Billie Jean, Billie Jean, uh
Christian Dior, Dior, I’m up in all the stores
When it rains, it pours, she like the way I rrr
When I walk in the spot, .30 on me, buy out the club, n- know that I’m paid
B-, I’m a – (uh?), get me lit, I can’t f- with these n- ’cause n- is gay
All on my page suckin’ -, all in my comments, and screamin’ my name
While I’m in the club, throwin’ them 100s and 50s and ones and ones
Pop Smoke, they know I’m wildin’
If I’m on the island, I’m snatchin’ the cell
Brody got locked, denied his bail (woo)
Until he free, I’m raisin’ hell
Tell my shooters, “Call me FaceTime
For all the times we had to face time”
Free D-Nice, he doin’ state time
If you need the glizzy, you could take mine
Please don’t come out your mouth, you know I’m like that
I’ll make a movie like TNT (grrt-baow)
Glock 30 on me, ask who really want it, I bet I air it like BNB
Nappy Blue wildin’ in my section, and I keep that .38 for the weapon
Remember when I came home from corrections (uh-huh)
All the bad b- in my direction (uh)
She like the way that I dance, she like the way that I move
She like the way that I rock, she like the way that I woo
And she let it clap for a n- (she let it clap for a n-)
And she throw it back for a n- (yeah, she throw it back for a n-)
Mike Amiri, Mike Amiri, Billie Jean, Billie Jean, uh
Christian Dior, Dior, I’m up in all the stores
When it rains, it pours, she like the way I rrr
Mike Amiri, Mike Amiri, Billie Jean, Billie Jean, uh
Christian Dior, Dior, I’m up in all the stores
When it rains, it pours, she like the way I rrr
About Pop Smoke
In 1995, Pop Smoke (born Bashar Jackson) spent his formative years in Brooklyn, New York. He got his start in the music industry almost by accident: during studio sessions with various consultants in 2018, Smoke secretly started recording his own vocal parts. The Brooklyn-hailing artist, who combines his booming, smoky vocals with the sounds of Chicago and London drill, has produced a collection of street-driven anthems which combine the sonics of Chicago and London. Smoke shared his debut single, “MPR,” where he remixed Sheff G’s iconic hit, “Panic, Pt. 3,” for his follow-up single, “Welcome to the Party,” which was also produced by the 808Melo team from U.K. ‘s drill. In only a few days, Smoke’s track reached millions of streams, prompting remixes from Skepta and Nicki Minaj and leveraging Brooklyn drill internationally. The 808Melo-produced Meet the Woo, Smoke’s debut project, which capitalizes on his rapid rise, was released in July of this year, capitalizing on his rapid rise. With the second key sound from Meet the Woo being “Dior,” Smoke rounded out 2019 with a feature on Mark Caldwell and Travis Scott’s chart-topping compilation JackBoys, on which the Cactus Jack crew were a part.
In 2020, Smoke released a sequel to Meet the Woo, which featured Quavo and A Boogie wit da Hoodie. The mixtape is titled Meet the Woo, Vol. 1, and it was released on November 24, 2009. Continuing the heart-punching, drill-heavy content of his debut, Ice Cube continued to pay homage to the genre’s U.K. roots through the use of a Charlie Sloth freestyle, while also interpreting aspects of the Brooklyn scene that he was familiar with from his youth. In the aftermath of this EP, the rapper achieved even greater success, peaking at number seven on the Billboard 200 chart and charting across a wide range of international markets. A few weeks later, on February 19, Pop Smoke, age 20, was shot and killed during a home invasion; he was just 20 at the time of the incident.
Life and Death
In addition to being known for his first single “Welcome to the Party,” Brooklyn’s Pop Smoke has become an icon of the city’s burgeoning drill scene with his aggressive production style and gravelly vocals. In the space of just a year after releasing his debut mixtape, he was quickly rising in the mainstream, landing in the Top Ten with his sophomore mixtape Meet the Woo, Vol. 5. 2. He was shot and killed on February 19, 2020, just a few weeks after achieving this chart peak.
The smoke label has released a Meet the Woo sequel featuring artists such as Quavo and A Boogie with da Hoodie to kick off the new year of 2020. As the name suggests, it is a mixtape entitled Meet the Woo, Vol. In the sequel to his debut, he continued the work of his drill-heavy contemporaries while emphasizing the genre’s British roots through a Charlie Sloth freestyle as well as focusing on the melodic aspects of the Brooklyn scene, while emphasizing the genre’s British roots. In addition to that, the rapper also found even greater success with this album, peaking as high as number seven on the Billboard 200 and charting in numerous European territories. As a result, Pop Smoke, who was turning 20 years old at the time, was killed by a gunshot during a home invasion just a few weeks later, on February 19.
It was not until July of that year that Victor Victor and Republic released his first posthumous record, Shoot for the Stars, Aim for the Moon, a year after he passed away. In conjunction with 50 Cent on executive production, the album touched on a variety of styles and styles throughout the musical spectrum and reached the top of the Billboard 200 Albums chart. Within a few weeks, a deluxe edition was released with a more drill-driven approach, and she had quite a bit of success with it. As the two labels produced a second posthumous number-one album in 2021, Faith, it displayed a much broader and more radio-centric approach to rap than the previous album.