Gum hai kisi ke pyaar me
dil subah shaam
Par tumhe likh nahi paaun
mai usakaa naam
Haay raam, haay raam
Kuchh likhaa
Haan
Kyaa likhaa
Gum hai kisi ke pyaar me
dil subah shaam
Par tumhe likh nahi paaun
mai usakaa naam
Haay raam, haay raam
Achchhaa, aage kyaa likhun
Aage
Sochaa hai ek din mai usase milake
Kaha daalun apane sab haal dil ke
Aur kar dun jivan usake havaale
Phir chhod de chaahe apanaa banaa le
Ab to jaise bhi meraa ho ajaam
Gum hai kisi ke pyaar me
dil subah shaam
Par tumhe likh nahi paaun
mai usakaa naam,
Haay raam, haay raam
Likh liyaa
Haan
Zaraa padhake to sunaao
Chaahaa hai tumane jis baavari ko
Vo bhi sajanavaa chaahe tumhi ko
Naina uthaae to pyaar samajho
Palake jhukaa de to iqaraar samajho
Rakhati hai kab se chhupaa chhupaa ke
Kyaa
Apane hotho me piyaa teraa naam
Gum hai kisi ke pyaar me
dil subah shaam
Par tumhe likh nahi paaun
mai usakaa naam
Gum hai kisi ke pyaar me
dil subah shaam
Par tumhe likh nahi paaun
mai usakaa naam
Haay raam, haay raam
About Lata Mangeshkar
On September 28, 1929, Indore was the birthplace of Bollywood’s most famous playback singer, Lata Mangeshkar. As a recording artist, she recorded albums for actresses from Nargis to Preity Zinta of all types (ghazals, pop, etc.). Her Guinness Book entry disappeared in 1991, but she recorded more than 30,000 songs in 20 Indian languages between 948 and 1987. The number of them today may reach 40,000!
Her Life and Career Path
His father, Dinanath, was the owner of a theater company and a renowned classical singer. Lata began taking singing lessons from the age of five with Aman Ali Khan Sahib and Amanat Khan. From a young age, he demonstrated an aptitude for music and vocal exercises.
Noor Jehan and Shamshad Begum, both bass singers with heavy nasal voices in the 1940s, were popular at the time. Several projects rejected her because of her high-pitched and thin voice. As well as inauspicious circumstances surrounding her entry into the industry – her father died in 1942, leaving her to support her family on her own. Between 1942 and 1948, she acted in eight Hindi and Marathi movies to supplement her income. Ironically, her first playback song was edited from Kiti Hasaal (1942), her debut film as a playback singer!
When she starred alongside Ghulam Haider in Majboor (1948), she got her big break. During the year 1949, four of her movies were released: Mahal (1949), Dulari (1949), Barsaat (1949), and Andaz (1949); all four were runaway successes, with the songs reaching previously unimaginable levels of popularity. With her unusually high pitch, she ended the trend of heavily nasal voices within a year of beginning singing. To a great extent, only Geeta Dutt and Shamshad Begum survived her treble assault.
At first, she found it difficult to distinguish her style from Noor Jehan’s, but she soon mastered it. She and her sister, Asha Bhosle, dominated Indian playback singing during the 1990s. It was only through her versatile voice that music composers were able to fully experiment with their music. No matter what composer composed her songs, her sweetest voice was challenged and brought out by C. Ramchandra and Madan Mohan.