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Gum Hai Kisi Ke Pyaar Mein Lyrics – Lata Mangeshakar

Gum hai kisi ke pyaar me

dil subah shaam

Par tumhe likh nahi paaun

 mai usakaa naam

Haay raam, haay raam

Kuchh likhaa

Haan

Kyaa likhaa

Gum hai kisi ke pyaar me

dil subah shaam

Par tumhe likh nahi paaun

mai usakaa naam

Haay raam, haay raam

Achchhaa, aage kyaa likhun

Aage

Sochaa hai ek din mai usase milake

Kaha daalun apane sab haal dil ke

Aur kar dun jivan usake havaale

Phir chhod de chaahe apanaa banaa le

Ab to jaise bhi meraa ho ajaam

Gum hai kisi ke pyaar me

 dil subah shaam

Par tumhe likh nahi paaun

mai usakaa naam,

Haay raam, haay raam

Likh liyaa

Haan

Zaraa padhake to sunaao

Chaahaa hai tumane jis baavari ko

Vo bhi sajanavaa chaahe tumhi ko

Naina uthaae to pyaar samajho

Palake jhukaa de to iqaraar samajho

Rakhati hai kab se chhupaa chhupaa ke

Kyaa

Apane hotho me piyaa teraa naam

Gum hai kisi ke pyaar me

 dil subah shaam

Par tumhe likh nahi paaun

mai usakaa naam

Gum hai kisi ke pyaar me

dil subah shaam

Par tumhe likh nahi paaun

mai usakaa naam

Haay raam, haay raam

About Lata Mangeshkar

On September 28, 1929, Indore was the birthplace of Bollywood’s most famous playback singer, Lata Mangeshkar. As a recording artist, she recorded albums for actresses from Nargis to Preity Zinta of all types (ghazals, pop, etc.). Her Guinness Book entry disappeared in 1991, but she recorded more than 30,000 songs in 20 Indian languages between 948 and 1987. The number of them today may reach 40,000!

Her Life and Career Path

His father, Dinanath, was the owner of a theater company and a renowned classical singer. Lata began taking singing lessons from the age of five with Aman Ali Khan Sahib and Amanat Khan. From a young age, he demonstrated an aptitude for music and vocal exercises.

Noor Jehan and Shamshad Begum, both bass singers with heavy nasal voices in the 1940s, were popular at the time. Several projects rejected her because of her high-pitched and thin voice. As well as inauspicious circumstances surrounding her entry into the industry – her father died in 1942, leaving her to support her family on her own. Between 1942 and 1948, she acted in eight Hindi and Marathi movies to supplement her income. Ironically, her first playback song was edited from Kiti Hasaal (1942), her debut film as a playback singer!

When she starred alongside Ghulam Haider in Majboor (1948), she got her big break. During the year 1949, four of her movies were released: Mahal (1949), Dulari (1949), Barsaat (1949), and Andaz (1949); all four were runaway successes, with the songs reaching previously unimaginable levels of popularity. With her unusually high pitch, she ended the trend of heavily nasal voices within a year of beginning singing. To a great extent, only Geeta Dutt and Shamshad Begum survived her treble assault.

At first, she found it difficult to distinguish her style from Noor Jehan’s, but she soon mastered it. She and her sister, Asha Bhosle, dominated Indian playback singing during the 1990s. It was only through her versatile voice that music composers were able to fully experiment with their music. No matter what composer composed her songs, her sweetest voice was challenged and brought out by C. Ramchandra and Madan Mohan.


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